CANADIAN TAROT NETWORK SPRING 2008 ONLINE NEWSLETTER
PAGE ONE:
PRESIDENT’S MESSAGE
Dear Tarot Associates, Students, Teachers, Masters, Enthusiasts:
The volunteers at CTN have been busy creating a new technological backdrop that will allow our network to grow in new ways by adding "appropriate" and informative web links, affiliates and brand new ideas to our organization. Your patience during this time is and has been appreciated. We know that Tarot newsletters and world wide organizations like ours, can be a transformational force.
Our network and association wishes to continue to provide a platform to show case Tarot’s symbolism, which can awaken those who are ready and provide thought-provoking entertainment to those exploring its possibilities. Tarot has continued over the centuries to remind us of the ancient, but seems to "reboot" itself to remain fresh, relevant, inviolet and new once again…...with our help!
Tarot the portal, shines a light of truth through layers upon layers of distortion and misinterpretation to show us a way to transformative consciousness.
Tarot the system, not a religion or anything to cover up or disguise with words or labels; gives us a tool to lighten our journey as life gives us experiences for our own individual evolution of consciousness.
We are the messengers who can correct misconceptions about Tarot in the mainstream, thereby opening our door wide for anyone to become more acquainted with what Tarot is and what Tarot is not. Tarot can be a needed bridge or a door way out of a prison of fear and give us inspiration to new ideas, new perspectives and thus, hope.
In Tarot we are teachers, readers, writers, artists, enthusiasts, collectors, students and even some querents who belong to an authentic group of “evolutionaries”, whose intent and desire is to be of service.
Bless you for your work and dedication in lifting the image of Tarot, while remaining egoless and humble as you perform your various roles; some subtle, some resting and quiet and some way showing, as we play a small part in the world’s collective journey to a new consciousness.
And now, after reading further through your newsletter let us know what thoughts come to you about Tarot and its meaning in your life? Please share with us, instructions at back of newsletter to post your article in our next newsletter due this summer - '08. In the meantime, here's a reference for you:
The picture at the top of this page is of the ethereal Blue Morpho butterfly - http://en.wikipedia.org/wiki/Morpho, http://, www.bluebutterflythemovie.com/ - a must see!
Brightest vistas are awaiting your arrival,
"Spirit Lighting the Moon"
PAGE TWO: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
TAROT DECK REVIEW:
The Celtic Dragon Tarot By D.J. Conway & Lisa Hunt Publisher: Llewellyn (2003)
I really thank the dear person who gifted me this deck was right. This is a fabulous deck! It’s one I keep for readings for me and my family only. I have used this deck extensively and with great accuracy ever since I received it in 2001, especially where spiritual topics were concerned.
In all honesty, I am not impartial of feelings and opinion where this deck is concerned. I am firmly biased that it is a great deck, with which I have a close connection.
The Celtic Dragon deck was created by famous writer D.J.Conway and equally famous illustrator Lisa Hunt, who also worked with Conway on the Shapeshifter Tarot deck. These ladies created a deck that quickly became a favourite and much sought after.
It truly is a deck that must be seen to be appreciated, and I highly recommend it beyond being a mere collector's addition. The deck comes with a substantial book, which nicely describes each key (card) with a charcoal-style drawing and keywords on the left-hand page, and puts a bit of story description with a divinatory meaning on the right-hand side. While there is good detail given, these pages could have covered even more. On the other hand, as done, this makes an excellent beginner’s deck, with the more proficient among us being able to fill in extra detail for ourselves. Pages 7 through 10 have lists of keywords that make for a very quick start and introduction to the deck.
However, it should be noted that the keywords used here may not match what many of us are accustomed to, or they may be a mix of thoughts. Note, too, that the art is pretty typical of Waite-clone styles for the most part. This does not take away from the experience of the deck, as it matches the artwork; however, you will need to decide whether you want to learn this system, or go with what you are already comfortable with. Example: The Fool — key phrase, "Unexpected change of direction." Then the main description begins, "The Fool is the Dreamer, the novice who is beginning on the path of a new cycle in life."
There are the usual 78 cards, which are meant to be read upright only, according to Conway. However, this certainly hasn't stopped me from reading reversed cards as I normally do. Two suits have changed elements: Wands is Air and Swords is Fire. Two Majors have changed names: The Heirophant is now the High Priest, a typical change, while The Devil is called “Chains” here. This makes sense if you remember that the couple on the Devil key is almost always pictured in chains. The artwork in general is very Celtic (The book gives us nice descriptions of dragons without the New Age fluff that make so many of us cringe in disgust. The basic color of the cards is a silvery grey shade both on the backs and framing the front.) The back includes a circle with three spirals and dragon symbols also in darker shades of grey. If you do read reversed cards, reversals won't be revealed.
The colours of the main depictions are beautiful, delicate, and at times vibrant. These cards truly are works of art for art's sake. Finally I would like to note that these cards are made in what has become the normal flimsy card stock. As my deck sat day after day while I worked up this commentary, they warped more and more just sitting beside my computer and not being handled more than one key at a time. By the time I stopped, a few weeks later, the deck was so warped it was hard to shuffle. Later, however, sitting for ages under a very large dictionary did wonders for this problem — until I began using the deck again routinely. It quickly warped again.
By Den Elder, CTN Member
PAGE THREE: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
TAROT BOOK REVIEW: 
"Portable Magic: Tarot is the Only Tool You Need"
By Donald Tyson Publisher: Llewellyn (2006), 230 pp. ISBN: 0-7387-0980-8
I was intrigued by this book when I was told that it was a Tarot book. I would have thought from the title alone that it was a book of magic, and probably about spell crafting. But as I read, I discovered some very amazing history about Tarot and where it came from.
I was very happy to have a book that traces where Tarot originated. Then it veered off history and went into how to use the cards as ritual tools. I have heard a few times of people who use cards for spell casting. I had never found a book that was centered on teaching how to do so.
This is not a book for one who is light into Tarot or card reading. It explains some very heavy Hermetic magic, which I have to admit I barely have any background in. I continued reading, hoping to make some sense of it, but the further in I got, the more confused I became. I finally admitted defeat, and handed the book to my husband. He was very happy to have a tool for learning how to use his deck for Hermetic magic. I was happy to find someone who could explain a little more to me.
This is a very good book for someone who is learning Hermetic magic, and has an interest in spell casting with Tarot cards. It does explain a lot, and has some very useful information. I would probably choose something other for myself though, as I don’t think my brain can digest that much information without having another outlet to lighten some of the heft this book carries.
Review by Cathryn Brewer, CTN Member
Disclaimer: This article is written with the intent to review a book so the writer may obtain credit towards certification. CTN does not discourage, condon or imply that it in any way supports spell casting or magic.
PAGE FOUR: CANADIAN TAROT SPRING '08 ONLINE NEWSLETTER
TAROT CARD DECK REVIEW: "This is not a deck of answers, it is a deck of questions. If you were to ask why is the Sky blue, it would ask you why you want to know."
"The Samurai Tarot" By Massimiliano Filadoro (text) and Giancarlo Caracuzzo (art)
Publisher: Lo Scarabeo (2006) ISBN: 0-7387-0948-4
The Samurai Tarot is a work of art that illustrates ancient Japanese mythology and the way of the Samurai. One of the basic principals in Japanese mythology is that a person is ultimately fighting against himself in this life.
These cards are the reflection of that struggle and strife. The artwork in the deck is not traditional Japanese artwork; it is a combination of traditional and modern work. The cards may be difficult to read for the novice. They require the heavy use of intuition and imagery, more so than with some traditional decks.
One interesting point is that the card descriptions are in English, Spanish, German and French. The journey from Fool to World in most Tarot decks is a spiritual one; although this is true with this deck, it takes the meanings to a deeper level, as is the way of finding true spirituality in the East.
The Fool is an old man who has abandoned ego and the trappings and needs of the youth, to become truly him. As we go through the Major Arcana we see more of this non-traditional approach, through themes such as space in The Magician, and through trusting The Goddess in the card that in typical decks would be known as the High Priestess.
The Emperor and The Empress traditionally represent stability and feminine vitality; here they are depicted as warriors, blurring the line between feminine and masculine, further driving home the point that duality exists in all yin and yang.
In The Hanged Man, we see a young warrior chained to a tree fighting his shadowy attackers. He tells us that even though he faces great difficulty he is still willing and able to face this challenge. You must read between the lines you must see the riddle and the deeper meaning in the card. This is truly a study of the human condition.
The Samurai Tarot is designed to get the reader to contemplate deep meanings and to understand the very nature of their initial question. For example, if you were to ask “Why is the sky blue?” the cards would ask you “Why do want to know? What drives you to ask? What would the answer give you?”
This is not a deck of answers; it is a deck of questions. It forces you to look at yourself. The result will be different for every person, because the solutions will vary from person to person. In conclusion, we must look at this deck as a means to go on a deeper spiritual journey — a journey of self discovery — for this deck will not give you any direct answers or insights regarding a specific question. This deck will force you to look at yourself and your motivations. The artwork is beautiful and motivational, but cannot be used everyday or for the mundane.
Review By Danielle Andrewson, CTR, CTN MEMBER
PAGE FIVE: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
TAROT CARD DECK REVIEW: "The Universal goddess Tarot is a femnist deck and utilizes goddesses from various countries throughout history."
"Universal Goddess Tarot", Deluxe Edition 
By Atonela Platano (text) and Maria Caratti (art) Publisher: Lo Scarabeo (2006) ISBN 0-7387-1012-1
My first question when this deck arrived was, “What does the “Deluxe” part imply?” Well, it means you get a lovely purple velvet drawstring bag with moons embroidered across the top and bottom. It is lined with purple satin. Not one of those cheap bags that come with some decks.
The Universal Goddess Tarot is beautifully illustrated with vibrant colours and the card name written in six languages. The cards are somewhat long, but fairly narrow; they should be good for shuffling unless you have small hands.
The Universal Goddess Tarot is a feminist deck and utilizes goddesses from various countries throughout history. There are very few males depicted in this deck, and they are secondary characters.
For this reason, I felt I would not like the deck. The Emperor — a goddess?! No way! But I did a couple of readings with it, read the Little White Book (LWB), and found that maybe this could work.
The Universal Goddess tarot follows the model set out by Crowley (Thoth Tarot); that is to say, the eighth card is Justice instead of Strength, and vice versa. This is my biggest complaint, as I strongly believe Justice needs to be the 11th card for numerological reasons. Strength is one of my favorite cards, and I do like this one. It’s got Ishtar, an Assyrian goddess, sitting with a lion and holding a snake. Being a High Priestess of Ishtar, I was most pleased to see her on the Strength card. The LWB states that intelligence, self-confidence, discipline and self-control can be more powerful than the venom of a snake. Definitely this fits my ideas about Strength.
All right — the tricky part — how to portray the kings of the deck with goddesses. Brigit, Sarasvati, Coatlique and Lakshmi are the four kings. The LWB’s description of rulership and power fits a king card’s usual meaning, if not the image, so they are acceptable. I actually like Coatlique — she’s an Aztec goddess with a real Gemini attitude towards honour and respect — do or die. What of other traditionally male cards? The Emperor, The Hierophant,
The Hanged MAN? Athena, Greek goddess of war makes a suitable Emperor. Aditi, Hindu goddess of wisdom, works for The Hierophant. The Hanged Man shows a Norseman (Odin) hanging by a foot in the background, while Frigga, Odin wife, waits for nine days and nights to pass while her husband hangs in accordance with the sacrificial theme of the original story.
What of The Lovers? How does one goddess cover the plural of “The Lovers”? In this deck, the card is strictly about love and pleasure, with the goddess Venus at centre stage. In some decks, The Lovers is about relationship, all kinds. In others, it’s about the choice between what we want and what is good for us. But here, we have the joy of love and the pleasures that go with it.
If you are OK with this meaning, this goddess works with this card. All in all, I found I liked this deck more than I thought I would, and I will keep it right along with the other 40 decks I have. I recommend this deck to intermediate and advanced Tarot readers, only because of the way the LWB attributes meanings to the cards. There is not enough information for a beginner to fully grasp what the author is trying to say. Anyone with a good grounding it card meanings would have no problem with this deck.
Review by Eileen Croutch, CTGM and Executive Director of CTN
PAGE SIX: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER 
INTRODUCING ONE OF OUR NEWEST MEMBERS:
Michael Orlando Yaccarino - Orlando Tarot
E-Mail: orlandotarot@yahoo.com - Web site: www.orlandotarot.com
"Lunaria" Inspired by The High Priestess
"The moon comes down
You make the moon come down
To rest at your feet
Let me rest at your feet
Tell me your secrets
Lunaria
Let me in
Lunaria
Raise the veil
Lunaria
And let me in
Please let me in
Pomegranate soul
Split to reveal
The core inside
The heart within
Let me pass
Lunaria
To the blue beyond
Lunaria
Show me now
Lunaria
What I need to know
I need to know"
"Fortissima" Inspired by Strength
"Velvet gloves
Hide the truth
No lion’s jaw
Could ever harm
You wear eternity
Like a crown
A gentle smile
Your only shield
Yield to you
Bend to you
Give to you
Everything
Wrap me in
Your rosy chains
Hold me in
Your steel embrace"
About The Author: Michael Orlando Yaccarino is a professional Tarot reader based in the United States. His unique gift combines decades of personal exploration and study with celebrated Tarot specialists Rachel Pollack and Mary K. Greer with intuitive knowing.
In addition to numerous private sittings, Michael has provided professional reading services for Earth Spirit New Age Center (Red Bank, New Jersey) and Park Avenue Corporate Health (New York City). In addition to The Canadian Tarot Network, he is a member of the Association for Tarot Studies, The American Tarot Association, and The Tarot Association of the British Isles. Furthermore, he is a world-renowned biographer and journalist.
The poems reproduced here are from a series inspired by the cards’ most potent figures. Regarding his own personal connection to the Tarot, Michael explained: “I first discovered the Tarot early in life—my first deck being David Palladini’s still-spectacular Aquarian Tarot then new at the time. My initial interests in the occult and the paranormal started with the supernatural experiences I encountered in a childhood home.
During the following years, I pursued a thorough understanding of the Tarot’s fascinating history and symbolism, while experimenting with its seemingly limitless methods of divination. For me, a worthwhile reading provides a many-dimensioned snapshot. Caught forever in time, the aspects of such a moment can be studied in numerous ways. As for the majority of us who become either detoured or lost on life’s quest, a worthwhile reading can help regain our bearings.
Moreover, it can suggest alternate routes to a desired destination. And this is what I strive for in each and every reading. I truly believe that predicting specific future events is unnecessary when one gains the ability to master destiny in the present. And finally, remember that while fate may offer many roads, the one taken is always a question of choice.” You can visit Michael’s Web site at www.orlandotarot.com A frequent visitor to Montreal and Toronto, Michael expressed his honor and delight at his recent membership with The Canadian Tarot Network.
By Michael Orlando Yaccarino - CTN MEMBER
PAGE SEVEN: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
"TEACHING THE TAROT" By Freya
In teaching the Tarot at the Introductory Level to gain the “Apprentice Tarot Readers Designation” I discovered that I learned as much as I shared with my beginner class. As eager as they were to pick my brain for all the knowledge I had gained over the years, they gave me a new perspective of an old friend.
When I asked about their experience with the Tarot they shared that they had been “fooling around” with the Tarot for sometime but really wanted to know how to use it to do reading in a more comprehensive manner. With that in mind we begin to look at their deck and talk about what decks would be helpful to a beginner learning the Tarot.
Some students bought new decks and some choose to keep the deck they were comfortable with.
The images on the cards intrigue most new students and launch them into a study of the history and mystery of the Tarot. We talk about the myths and what we know about the early days of the Tarot and the remnants of Tarot decks in museums in Europe and the body of esoteric literature written in the 17 and 1800.
It helps students understand some of the symbolism of the Tarot and its journey to what it is today.
Our next subject was the “Fools Journey” through theMajor Arcana and included the three divisions of experience. They began to see how the card reflected their own journey through the conscious learning about the outer concerns of life in society (cards 1 to 7), the subconscious or inward search to find out “who they really are” (cards 8 to 14), and then the super conscious development of spiritual awareness and the release of archetypal energy (cards 15 to 21).
By this time in our learning students were doing simple question readings that could be answered with a “yes/no” using Trish MacGregor and Phyllis Vega book Power Tarot One Card Spreads with examples. This exercise helped imbed the significance of the large issues represented by the majors.
Then we were off to learn about the Minor Arcana suits, elements, gender, and Numerology and how they were all tied to the majors through the numbers one to ten. By this time we were using the story telling skills so important to the Tarot using the “Past, Present, Obstacle, Future and Outcome” spread, so common for everyday questions.
We followed with the "people" cards using the works of Kate Warwick-Smith,"The Tarot Court Cards", to determine who our supporters and detractors are and what kind of resources or challenges they provide us. Students were delighted with the layouts Kate suggested in learning the cards. By this time students were “chomping at the bit” to use every layout I could provide.
As students struggled to use their new interpretation skills and began to feel more confident in those skills they were challenged to use their psychic ability. We talked a lot about where it comes from, how to listen to the interpretation as they weave their Tarot story remembering to include their client’s thoughts in bringing new insight to the cards.
It was important to begin to trust themselves to bringing guidance through the Tarot to their prospective clients, friends and to themselves. It was amazing to see that trust develop. After seven weeks of study our final lesson was spent on an exam and then on an in-depth Tarot reading requiring a demonstration of student proficiency to read the Tarot.
Needless to say they all smiled proudly as they displayed their “Apprentice Tarot Reader” graduation certificate for class photographs but not as much as their teacher! I was delighted with the questions, reading skills, and exuberance demonstrated by each and every graduate I have taught to read the Tarot at the “Introductory Level”.
I hope this article will enable the readers of the C.T.N. Newsletter to look back and remember the struggle and the joy they experienced in learning the Tarot.
Tarot by Freya, Professional Tarot Reader, Certified by the Canadian Tarot Network,
Resident Tarot Reader at Green Willow, 240 Pinnacle St, Belleville, Ont. 613 967-9797
Disclaimer: This article was written from the perspective and viewpoint of a gifted Tarot reader who wishes to share "her" ideas in teaching Tarot. CTN does not condone, discourage or imply that it supports the idea of psychic ability.
PAGE EIGHT: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER 
POEM: "TAROT CODE OF ETHICS" By Jennifer Duncan (Student of Freya)
"The Tarot is an ancient art,
A mystery I continue to learn by heart.
When someone comes to me seeking guidance I will be, respectful, honest, and have complete confidentiality.
When other services for a need there be, I will refer my client for needs beyond my professional abilities.
At any time a client may say no, and continue the reading I will not go.
There is my test, to serve the interest of my client best,
Conducting my reading without intending harm or causing someone to become alarmed.
All reading kept private be,
Unless permission or a compelling reason be given to me.
This is the code for my act,
So merry may we meet, and merry may we part.
By Jennifer Duncan, CTN Member
PAGE NINE: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
1. "JOURNEY TO PROFESSIONAL READERSHIP" By Freya, Professional Tarot Reader
I recently started teaching the Tarot at the Introductory Reading level and as I watched the class members start to understand the meaning of the cards I began reflecting on my own journey to Professional Readership. It has been an interesting journey which I would like to share with the many readers of the CTN Newsletter.
I bought my first Tarot deck in 1972, and read for friends and relatives with my Tarot book in one hand and the cards in the other. It was fun and exciting to see some of the events predicated in the cards, manifest over time. On a whim I enrolled in a course on how to read the Tarot, where I met my first Tarot Grandmaster. I was hooked immediately. As I studied, doors began to open that I did not even know existed, except maybe in fiction. Images in the cards became three dimensional. The voices of the cards whispered in my ear and gave me instructions when shuffling and cutting the cards for a layout.
I began to see patterns and similarities and to feel the past, present, and often the future of my client. The symbolism of the Tarot began to light the path I would travel in a reading. My hands would often tingle or become hot as I searched for a card for a client and I began to wonder where this was all coming from.
Time after time clients would return and tell me that the guidance provided by the cards helped them make choices that opened up new vistas and overcame obstacles that had plagued them for year. Somewhere along the line I realized that the Tarot was alive and in touch with a larger mind than the one I was working with - (my own).
Slowly I began to realize that “an energy” was present around me when I read. Often it would descend or surround me and vibrate down my arms to the cards. Overtime it became stronger and felt like a welcome friend. Sometimes it came in very strongly and I began to realize that the reading I was about to do was important to the client in some way.
I have yet to discover what the energy is or why it has joined me in my chosen profession but it has made my journey far more interesting. My professional readership continues to expand and develop, guided by the energy in the cards.
As I continue with my journey I hope I will discover the identity of my silent partner and be able to guide those I teach toward this interesting and insightful helper.
Wish me luck! 
TAROT DECK REVIEW:
2. Review of the "Runic Tarot" By Caroline Smith and John Astrop -St. Martins Press 2003
Many Tarot Readers know the cards' ability to predict timelines for events can be shrouded in questionable results. Often when the cards infer that a future event is pending the client will ask “when”. Answering that question is in my opinion a guess or a speculation using the standard Tarot cards. I have struggled through a few readings with my understanding of the seasons, years, months, days, weeks, etc. as defined by the Tarot. I have never felt really comfortable with any method I employed and often shared my doubts with my clients as a caution against putting to much faith in the time I defined.
However when I discovered "The Runic Tarot" with the description of the seasons and the “rhythm of the natural year” I felt I had found a new guide. I hope you will give it a try and see if it answers your needs. The Runic deck is divided into the Major and Minor Arcana much like the traditional Tarot, but the Minor Arcana is very different from most standard Tarot decks and contains the dates I mentioned above.
The description below starts with the Majors:
The 24 major Arcana cards follow the traditional Norse meaning of the Runes. Much like the traditional Tarot it is divided into three sections.
The first eight Runes reflect “nurturing, growing, and sustaining life”. The second eight are about “defense, and protection of rights”; and the last eight are concerned with “spiritual well being” and growth toward the divine.
Each card has the Runic symbol or glyph prominently displayed with a short word description of the meaning of the glyph (card), plus the Astrological glyph (s) associated with the Rune.
Above this information is a beautiful graphic image of the meaning of the card which is appropriately described in the accompanying book. The image and description reflect the ancient Runic poem and its meaning in terms of the individual or event represented by the card.
The book also gives the upright and reversed meanings,which can be utilized in a reading. The art work is beautifully executed and reflects the ancient Nordic and Celtic enfoldment of ancestral life. The remaining fifty-two cards are the Minor Arcana suits (12 cards in each suit) which reflect the four seasons and the four Trump cards which represent the two equinoxes and two solstice periods of the year.
The four suits are imbedded in the ancestral way of life of the people and the work of the land as demonstrated in the following descriptions:
Embolic Suit is the spring quarter of the year and in the four weeks of Feb. we begin to plan our year, during March and the spring equinox we accept the challenge of our plan, while during April we persevere and wait for Beltane to plant the seeds of our year.
Beltane Suit is the summer quarter of the year and in the four weeks of May we have confidence that our plans will produce growth, while June and the summer solstice represent love, and July the feasting as our fruits approach harvest time.
Lughnasadh Suit is the autumn quarter of the year and in the four weeks of August our plans mature, while during Sept. and the autumn equinox we harvest, and in Oct. we experience resourcefulness as we store the fruits of our labour for the cold days of winter.
Samhain Suit is the winter quarter of the year and in the four weeks of Nov. we complete the preparation for winter, while during Dec. we rest from our labour and almost hibernate so we can experience renewal, and as the days grow longer in Jan. and the earth beings to stir, we know there is much to be done in preparation for the coming year.
Each card in the four suits identifies the month and the week within the month on the bottom of each card. The weeks can be used in a reading to identify when an event may take place. The descriptor on the card and in the accompanying book can add to the reading outcome providing further guidance around the need for action to manifest the outcome.
Having used the Runic Tarot with caution, I have had some successes and some questionable results. When integrating the “dated” cards in a reading I always point out that the results are not guaranteed but only based on probabilities of a possible future.
An example I will share with you is around the sale of a friend’s home. We asked when her home would sell and pulled the 1st week in May which is in Beltane. The keyword on the card was “Enterprise” and the picture on the card depicts people working all around what appears to be a building structure. Two years have gone by and my friend’s house has not sold. It may be because they are continuing to “fix-up” the structure and do not see it as complete and ready for sale. The card, I believe, illustrates the process they are going through. The structure or “enterprise” on the card has small figures busily engaged around the building fixing it up which is exactly what they continue to do. Hopefully the fixing up and releasing process will be completed by next May!
The Runic cards in the deck (the Major Arcana) have powerful images with excellent descriptors which can be used like the Runic stones either selected randomly and read or placed within a Tarot spread. The addition of the suit cards (the Minor Arcana), as noted above, only adds to the mystery of the growing Tarot family of decks. The caution to keep in mind when using the dated suits or Runic Trump cards is that you make sure your client understands how the descriptor influences the results.
Article and review written by Freya, Professional Tarot Reader and Member of CTN
Disclaimer: CTN does not condone, discourage, or imply that it supports the idea of predicting and recognizes these articles to be heartfelt descriptions of the author's experiences.
PAGE TEN: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
INTERVIEW: PAMELA STEELE TALKS ABOUT HER NEW TAROT DECK CALLED:
“THE STEELE WIZARD TAROT”
Interview conducted through e-mail by Kristin Lee-Gray, CTI
K: What was your first inspiration for the design of this deck?
P: In 1978, my best friend talked me into getting a tarot deck. I chose the Rider Waite deck. When we got back to the hotel (we'd gone on a road trip to Dallas Texas) I opened them, looked at all the images, and asked where the rest of them were? She assured me they were all there and I insisted some were missing. She asked which ones and I started talking about Maidens and more of the Majors. She told me flatly the deck was complete and if I didn't like them to make my own. Over the years of studying and reading the feeling didn't go away, no matter which deck I tried. Nine years ago she called and asked if I still felt that way, and would I be interested in designing a deck for her then publisher. I couldn't wait to get started. The publisher didn't work out, but the deck happened.
K: When did you start, how long did it take you?
P: I started designing the first card (the Ace of Pentacles and the rest followed in no particular order) in the Steele Wizard Tarot in mid-October 1999. The first 84 drawings were completed the following June 2000. A year later another reader suggested the number 88. I went home and slept on it and woke up at 3 am with the last 4 cards and their guidelines clear in my head. So I got up, sketched and made notes and finished the last 4 in 4 days.
K: Do you have an art background? How were you able to artistically create this deck?
P: I have drawn since I could hold a crayon. I sold my first oil painting at 14. By that time the art instructor at school decided I had no talent and refused to let me into her class. So I've never had any formal training. But it was a total boon as I didn't have to 'unlearn' anything. I showed art for years at Science Fiction Fantasy conventions, taught art classes at the local college through further education, and have a children's book series in the works. I draw what I 'see'.
K: Now that you have created this beautiful deck, would you attempt such an exercise again?
P: Yes. There's more projects. They just haven't presented themselves to me yet.
K: If you do design another deck, would there be anything you would do differently?
P: Each creation has it's own agenda. That would depend entirely on how it wants to be presented.
K: As for the Tarot, what are some of the key points about some of the cards that would set you apart from other Tarot deck authors?
P: I honestly believe the additional court cards (Maidens to represent potentials as well as young women) and the additional Major Arcana take the guess work out of a reading. For example, I've been questioned about Soul Twins being a version of the Lovers. The Lovers generally represents a type of duality. The Yin-Yang aspects of relationship to others. Soul Twins represents a blending of energies within the individual thus enabling that individual to become Whole. By Being Whole she/he can identify and accept what does or does not serve who they are now without judgment. This assists in creating a distinct energy signature that attracts the right 'others' to the seeker. The additional 6 Majors are read from the personal spiritual perspective of the seeker. These cards are 'all about you' and your relationship to yourself. They go deeper into the realm of I AM and one's connection and relationship to their own Divinity. This deck has a noticeable Rider Waite influence among others. I learned to read with traditional decks. So it has a familiar flavor that has been called 'user friendly' by many readers who have started using it.
K: What is it that you would like to see people “get” when they view your deck as compared to others?
P: The Major Arcana in traditional tarot have been described as the Fool's journey. I believe with the evolution of humanity on and with this planet, we are on the brink of an entirely new level of existence. This would take the Journey to other levels and planes of existence where Spirit is consciously involved in personal creation. I hope the tools given in this deck help people understand their own uniqueness and contributions to their personal and our collective Creation.
K: What is your personal Tarot history?
P: studied tarot with various masters and read everything I could get my hands on for the first 5 years I owned a deck (1978-83). I practiced on anyone who would let me and kept daily detailed hand written notes on each reading. From there I have interfaced and communicated with other readers, read at psychic faires, taught workshops, and kept my mind open and my ears on.
K: Was there any particular point in your life that you can remember that the inspiration to become a Tarotist and author was the strongest? And could you describe this time…
P: Back to my best friend, anam cara`, Maya Heath, author, artist, reader, who sat me down and explained to me that reading for people WITH a tarot deck was much more acceptable than just getting that glassy look and talking. That it is much more accepted to have what she termed a 'visible means of prophecy' and it would lend credibility and clarity to my readings. She suggested tarot because we are artists, and very visual people, and she felt the images would speak to me and trigger what would get 'stuck'. She was absolutely right. From the first time I held a tarot deck I knew this was what I needed to do. The author in me came about when the difficulties with her old publisher happened in 2003. She couldn't write the companion book for this deck while under contract to him. So she told me to just do it. It's my creation and I should be able to explain it clearly.
K: Were there ever any time that you felt like walking away from Tarot? If so, what brought you back to it. If not, why do you think that is?
P: Never. Tarot is part of who I am now. It's total communication with Self. I tell people I'm reading for that what happenings during their reading is they are talking to themselves. I'm just the interpreter. It's like they have downloaded a file into their computer and can't open it. That's what the tarot does. It's opens their files so they can see what it is they are trying to tell themselves. My job ends at the end of the reading so I tape them. I won't remember any of it in about 30 minutes...unless I'm reading for myself. Even then I take notes.
K: Overall, what is your Tarot vision?
P: Self knowledge, Self Discovery, Self Empowerment (and the responsibility involved) and Self Mastery. I believe tarot is an amazing tool that can assist anyone who's ready to unlock the mysteries of their personal reality and nurture their Truth.
K: Please add any extra comments you have.
Pamela Steele concludes: "I believe Being Human is the most challenging thing any entity can do. Tarot is one of the many tools we've created to assist us in this endeavor. Readings should be confidential, clear and precise. The ones I do seldom refer to whether one's children are behaving or one's spouse is cheating on them or other such topics. They always seem to be all about the person I'm reading for. Their belief structures, their personal journey, their creation matrix and the Being in Being Human is the Divine Spirit in each of us that's wanting to be heard.
We're leaving clues everywhere, and tarot helps us recognize and understand those clues. The companion book for this deck covers Tarot ethics, the care and feeding of your deck, asking questions and how to phrase them, significator cards, shuffling and dealing, reading the layouts and sample layouts. The book also features color plates of each card with guideline interpretations (rather than meanings). I hoped each person using the deck would find more and deeper 'meanings'. So far they have done exactly that from what I've read at the forums! Thank you. Pam"
PAGE ELEVEN: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
“THE HELPFUL TAROT MENTOR AND TEACHER”
By Kristin Lee-Gray, CTI
I enjoy working with my students, whom I meet at both a local two-year college/vo-tech and on the Free Tarot Network. What I have learned from them is that it’s true when you teach and mentor, you learn about as much as you teach.
It’s an “energy for energy” exchange (or should be) that happens and makes the experience beneficial for student and mentor. If you are interested in being the best mentor/teacher you can be, here are some suggestions that you might find helpful:
1. Listen to your students and answer their questions openly and above all else with honesty. If you are asked a question to which you do not know the answer, say you don’t know and offer to find it or, ask the student if they would like to research the question along with you and agree to compare notes and discuss.
This has happened to me in front of a large class and the first time it happened I could feel the heat rise from my reddening face. However, the second time it happened I decided to just go with the flow, admit I was blanking on that question and involved the student or students to help answer the question. I even misspoke and called the “World” trump in the Major Arcana number 21. Yep, I did that. The class was at the end of a long day and I was mentally tired. So there, I admit it, a big boo-boo that no Tarot teacher should make, but I did. I probably will never do it again mind you….but we can all misspeak depending on the circumstances. Keep this in mind.
2. As a mentor I never “accuse” the student about having performed a Tarot reading poorly; instead, I try to guide and inspire them with helpful reading tools. For instance, Mary Greer, Tarot Scholar and author of “Tarot Reversals” tells us that reversed cards offer extra guidance. So it is also with so-called mistakes in readings….these can be seen as opportunities for extra guidance and inspiration.
3. As a teacher and mentor, I take the extra time to give the student praise for a job well done. I let them know specifically by putting several asterisks next to special phrases or sentences they have used in a typed reading. I make every effort to be responsive and timely; to come from a place of authenticity. I especially strive not to be harsh or insistent, wanting Tarot performed “my way or the highway”.
4. As a teacher and mentor I encourage students by giving them other reference points to look up on the internet. I encourage them to learn as much as they can from other sources.
5. I strive to encourage students to be themselves and develop their own style, while honouring Tarot and working within it - and using either their own or a published code of ethics.
6. Tarot meets you where you are, this is the beauty of Tarot. I help students realize this to overcome any anxiety that could cause a block or fear in working with Tarot.
7. I always encourage students to write their own code of ethics and to understand why the code is so important. If I see that a code of ethics could be missing some key points, I take the time to guide the student to better understand the process. I do not tell them what to put in their personal code of ethics, this must come from their own understanding.
8. One of the great aspects of Tarot is its ability to include so many different aspects of the metaphysical world, such as: Astrology, Numerology, Crystals, Angelology, etc. and I try to keep all doors open to introduce students to these possibilities. As an example, I often invite a Numerology teacher I know to speak and do a short one-hour class to my Tarot class. I’ve invited other professional Tarot readers to speak to my class whom I know also honour Tarot and work within it, abiding by a personal code of ethic.
9. Being available as a mentor is key. I try to return emails and phone calls as soon as possible. And if I know that it will be a few days, I send a quick email and let them know that I will be getting back to them.
10. And last, being open to new ideas and knowledge is as important to me as a mentor and teacher as it is to the student. A good mentor never insists, pushes, condemns, or hijacks a student reader. A student reader should never feel they are being forced in any way. If a mentor is pressures a student in any way, they are misusing the gift of Tarot. Students need to know they have innate rights as "students" to be whom they are and remain true to themselves, during their study of Tarot and on their journey through their own personal Tarot path.
Tarot expresses its energy and symbolism as a flowing knowledge through hearts and minds of clear thinking and honest individuals who are always willing to learn and grow.
A good mentor/teacher and student of Tarot will “Honour Tarot and work within it.”
I welcome your comments or additional suggestions so that I may add them to this list and be further enlightened. Feel free to email me at: www.tarotcardscafe.com
By Kristin Lee-Gray, CTI and Executive Member of CTN
PAGE TWELVE: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
TAROT ARTICLE: "To learn in a meaningful way..." Author Ana Santos is a PhD in Nursing and teaches as a college in Portugal, The Azores.
"ONE TAROT CARD DAILY READING, AN EXECELLENT LEARNING PRACTICE"
By Ana Santos, CTI
"Most people when they decide to learn Tarot feel confused or afraid just by thinking in memorizing all the cards. It happened to me many years ago.
I see it happens to my students and mentees as we begin working together. When the learning is founded in memorizing all cards usually it starts by Major Arcana and then Minor Arcana. In my opinion this isn’t the most effective and fulfilling way of learning Tarot. Why?
Because Tarot is much more than memorizing key words and figures. It’s intuition, feeling and subjective understanding of each card. Being so, it’s very important to develop a close relationship with the cards and to develop intuition. In doing so, the apprentice is preparing for anything or any question that comes without being lost if a memorized word or phrase fades for a moment on mind. We must remember that short term memorization is very limited. No more than 7 or 8 items a time. And each card can have many! More, while information is worked this way, when one item fails the odds of being lost are very high. Which might be quite embarrassing to a reader if it happens during a Tarot reading to other person…
To learn in a meaningful way, finding a deep understanding of each card is well developed by 1 card daily reading. The student may do it while writing his/her journal in which describes the day or simply by writing about the card. Anyway, to write is essential. While doing this we are more able to think deeply and to reflect our thoughts. This creates a deep link with each card.
Also, by registering Tarot daily cards we can, later, compare and verify learning evolution and even our life unfolding and lessons we learned in it.\ This learning technique implies a Tarot deck in which all cards are illustrated – all cards, both Major and Minor Arcana. In this method all 78 cards are used in a global and integrating way to develop reading skills. Here is one suggestion to do it: shift cards and cut them (or not, according to your style) as usual.
Take a randomly selected card (usually the first on top) and put it with pictures/paintings faced to you. Describe accurately the images that call your attention in the card. What is in first plane? And in others? Figures are facing left, right, up or down? What do you feel and think about it? What are faces expressions? Are they alone or with other figures – if yes, what are they saying to each other? Those people there in the card – what are they telling you? Speak with them!
Pay attention to colours, how is the environment (flowers, grass, animals, moon, sun, time of the day). Everything is important, as long it calls your attention. Don’t worry if there is something you won’t see. This will happen! And that’s part of the fascination of the method. Because some other day you will pick jus the same card and pay attention to things you didn’t previously.
Because everything you pay attention in one time is what you need to know that time. Tarot speaks to your intuition and unconscious, that why it happens. And it’s part of its richness and importance in our lives. Remember, write everything in your journal or Tarot learning notebook.
Only after this step, if you want to confront what you found with a scholar, go and search in a book what the author writes about the card. That’s fine if your interpretation don’t match.. You’re not wrong. You just let your intuition and unconscious be involved with the card. Even because if you are able to pick a good book you’ll see how the author isn’t dogmatic about card meanings. Indeed I suggest you use a book that describes contextualization of each card and not merely presents each card key words.
Always trust your cards and your intuition. As more you do it, more your intuition will develop and be refined. By following this method (that you can personalize to your own style of learning) you will be able to find, some time later, how your knowledge about Tarot has developed as did your intuition and your familiarity with the cards. Have a nice time and much joy and fulfilling with Tarot! -
By Ana Santos, CTI and Member of CTN
PAGE THIRTEEN: CANADIAN TAROT NETWORK SPRING '08 ONLINENEWSLETTER
"DOLLY’S TAROT COURSE OUTLINE"
~ There will be there will be three different levels a basic, intermediate and advance.
This class will be in a group setting of approximately six people.
There will be also time available for one on one training.
The classes will meet once a week for a period of two hours for 10 weeks so being approximately 20 hours.
Supplies that you will need for this level:
A journal/blank writing paper - Tarot cards - A cloth/bag for cards
What you will be learning at a Basic level:
How to care for your cards.- What is Tarot, -Tarot history.- What is cardiology.- History of Divination.- What is divination & the different types.
Preparing for a reading grounding,clearing.
What are card layouts / spreads.
Start a Tarot journal.
What is the arcana ,what are court cards, pip cards.
Difference between Major & Minor Arcana.
What are the suits, what is the difference between them.
Why a reading may not work out for you.
One card reading /meditating on one card.
Basic colour symbols.
The difference between uprights and reversals reading.
Learning the 3 keywords for the cards in the upright position.
Dolly’s Tarot customerservice@dollystarot.com www.dollystarot.com
By Dolly, Member of CTN
PAGE FOURTEEN: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
"TAROT AND ORACLES"
By Kristin Lee-Gray, CTI, President Canadian Tarot Network
In my Tarot class I am often asked what the difference is between Tarot cards and cards that are called or named “Oracles”.
First, let me explain the foundation of the word “Oracle”, which explains a lot and comes from Latin and means “to pray, or prayer”. In order to pray one must either do it by means of mental thinking or speaking aloud…communication of a prayer being the key. Thus the word “mouth” is connected to its original meaning. Various dictionaries describe oracles as “a divine announcement or means by which hidden knowledge is revealed as part of a divine purpose….and, is spoken or communicated in some chosen way with authority.” (A good Tarot card example of this communication type would be the High Priestess, which is the #2 trump from the Major Arcana. The High Priestess represents hidden knowledge and reminds us of intuitive awareness or, becoming more intuitively aware. Key: Inner Illumination.)
An oracle is a tool that enables some kind of communication with the "Universal" forces. Oracles can offer us road maps so that we can make better, more informed choices in life. (Another Tarot reference could be made here to the #1-The Magician trump from the Major Arcana, which is about focused energy and communication. Also, the #9-The Hermit, another major key card from the Major Arcana, which is about searching within using prudent navigation of the inner divine. Keep in mind; these are examples of what can be considered oracles within Tarot that I am giving .)
Free will allows us to access the answers to our questions that we seek through our inner selves. Tarot author and deck designer Robin Wood once said in a telephone interview, and I paraphrase here “….Sometimes those answers just might come through via a vehicle outside of ourselves.” Perhaps “bottle caps” or perhaps something we read on a billboard as we whiz by on our way to work. Perhaps through various readings and perhaps through Tarot symbology. Does this mean that all published card decks are Oracles or are Tarot decks? Not necessarily.
In fact there is a trend now for many beautiful works of art to be expressed on Tarot cards but are not often true to the ancient Tarot symbology or meanings.
Either because the creator as an artist expressed his or her own interpretation of what a card meant to them artistically, or because they just didn’t know or recognize the ancient meaning to a particular card.
Here is where a discerning Tarot collector and reader will benefit in paying close attention to the time-honoured “basic” or root meanings of the various Tarot cards. You can determine for yourself if the deck is being put forth as an oracle or is truly representative of the ancient game of Tarot.
By Kristin Lee-Gray, CTI and Executive of CTN
PAGE FIFTEEN: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
A VERY GOOD VOLUNTEER TAROT READING USING COLORS
By “Riel” as submitted with permission by FTN online free reading network mentor: Kristin Lee-Gray, CTI
The following is a submission of a current reading my mentee has contributed to the CTN newsletter who wants to share the joy of a reading, after which she received very positive feedback from the querent. Riel is a gifted Tarot student and reader for the Free Tarot Network and performs her readings with a different slant using colors to help with the translation.
Our intent is to share this reading so that others might be inspired and encouraged to step up and do some volunteer readings either through the FTN or other venues and get a basic idea of what they look like: "Lady", thank you for your question. I will be using the Rider-Waite Tarot Deck of cards for your One-card reading. I like to begin by explaining that we all have the option of free will, and that nothing is ever set in stone. This gives us opportunities to effect and change our own lives and outcomes according to the choices that we make and when we chose to make them.
As it is against the Web site Code of Ethics to use the Tarot as a predictive tool, I would like to rephrase your question to better help you. Rephrased for you, I will ask: What insight can you provide into a relationship for me with "Him"? The card that I have for you is Seven of Pentacles. I would like to offer you the traditional meanings of the card along with what the card suggests to me. Traditional meanings: Growth through effort and hard work. Assessment, reevaluation. Growth.
"Lady", this is what the Images and Energy around the Seven of Pentacles card suggest to me concerning the now rephrased question: This card depicts the Image of a young farmer who has worked long and hard. He appears rightfully pleased with his labors and outcome, (the growth of the Seven Pentacles). It seems that you have invested time and energy into this relationship/direction with "Him" already.
The young farmer’s clothing is both blue and orange. Suggesting a good balance between the physical and mental states of this relationship. The young farmer of the Seven of Pentacles card appears tired as he leans and reflects upon his garden hoe, the sky in the background is gray.
This seems to indicate growth; but it also may be a possible need to continue with the efforts already put forth and build upon that growth. "Lady", the Energy of the Seven of Pentacles, suggests a positive for you at this time.
I am also presented with these additional thoughts for you: Put a little Love in your heart. (smile, be happy) Now is the time. Growth I look forward to hearing back from you with any feedback that you have to offer, as that helps with my growth also. I hope that I have been able to help you. Sometimes we receive information that may be needed to know, instead of what we would like to know at the time.
The querent responds with feedback: Hi Riel, Thank you so much for this reading. I am very pleased with it and it makes a lot of sense, because I have in fact invested a lot of time and energy into this relationship as it is a long distance relationship which seems so much harder. Actually, I have been feeling emotionally drained (like the farmer) because of the extra stress and worry when I don't hear from "Him". Thank you very much also for your additional thoughts which I really appreciate. "He", actually called things off 4 months ago but things have not really been over and we have stayed in contact and our feelings have not changed. If anything, it only proved to me how strong my feelings are for him. I have been wondering when we could finally get back together and what the future will hold if I made the move over to be closer to him and your words: "Now is the time" means an awful lot in this respect. Best regards, "Lady"
The Tarot deck used in the above picture is the "Robin Wood Tarot": www.aeclectictarot.com
PAGE SIXTEEN: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
WE ARE LOOKING FOR YOUR STORY:
I want to help our widely dispersed members get to know each other better as Tarot readers. Write us a letter. Or put together your personal Tarot bios and stories and share them with CTN online. I will not publish your home address on the Internet, but may share the e-mail address you provide, along with your province or state, unless you expressly ask me not to do that at the time you submit something for publication. Don’t know what to say? Some ideas follow. Tell us whatever seems relevant about your Tarot journey. Always, I look forward to hearing from you.
~ Editor
Story Starters
What got you interested in Tarot cards and how long ago was that? How did you learn to read cards — by yourself, books, courses, friends, the Internet? Do you remember your first Tarot deck and how it came to you? Would you choose the same deck if you were today? What is your current favourite deck(s)? Why? How many decks do you own? How many do you read with? How do you describe your reading style? For example, prescriptive, interactive, gestalt approach? Do you read with reversed cards (a) all the time, (b) sometimes, (c) never? Tell us about your choice.
Do you have a Tarot book collection? How much reading do you do? Who is/are your favourite Tarot author(s)? Why? How did you get interested in the Canadian Tarot Network? How long have you been a member? Why do you want to belong to a Tarot organization? Do you tell your family/friends/colleagues at work that you have an interest in Tarot? Why or why not?
How do others typically respond if they are not familiar with what you do? What are your views, pro and con, regarding certification of Tarot readers? Do you read professionally (for money)? If you read professionally, describe the types of venues (psychic fairs, online, in a store, in your residence).
Where do you like to do readings or not like to do readings? Do you have any opinions about charging money for readings? Do you like the words “fortune telling” being applied to Tarot? Always? Sometimes? Never? Is “fortune teller” a badge of honour or does this label make you cringe?
Do you participate in any Tarot activities online (e.g., conduct readings, contribute to forums, publish articles or reviews)? How long have you been doing that? Why? Do you have a Web site? What is the url? Have you taught others to read Tarot cards? If so, what did the experience teach YOU? What is your teaching style?
Have you published your own deck or book or do you think you’ll do that some day? Do you use any other divination tools, especially in conjunction with Tarot? E.g., runes, crystals, a pendulum?
PAGE SEVENTEEN: CANADIAN TAROT NETWORK SPRING '08 ONLINE NEWSLETTER
Editorial Submission Guidelines ~
Generally We encourage all CTN members to send in Tarot book reviews, deck reviews, articles, opinion pieces or poetry. See details below.
Preferably send no more than three submissions per issue, so your work will be current at the time of publication.
All submissions are subject to editing. This newsletter uses Canadian spelling. Send electronic submissions in MS Word format.
Alternatively, you can send your document in the text of an e-mail to editor@tarotcanada.com. Please do not send electronic files formatted in WordPerfect.
Do not send pdf files either. Use direct quotations sparingly, and always give credit to your sources. Contributors must include their full legal name with submissions. (A pseudonym is acceptable for publication online if you specify your don’t want your legal name used.)
State how long you have been a member of the CTN, and provide your certification level, if applicable. Include your e-mail address and/or your Web site url for publication if you wish.
We will not publish the url of commercial Tarot Web sites for which you work if these sites are owned/ operated by anyone other than you. State whether the piece you are submitting has been published elsewhere, in any form. ~
This is important. ~ Type your material all flush left, with one blank line between paragraphs, sections or verses. Do not format your document with a selection of colours, tab stops, boxes, borders or anything else you think is creative. Publication in the issue for which your piece is submitted is likely, but is not guaranteed.
Book & Deck Reviews:
A review is more than a list of the contents of the item. State clearly and respectfully what you like and what you don’t like about the Tarot book, deck or software you are reviewing. The ideal length for reviews is 400 to 800 words, but reviews of 300 to 1,000 words will be considered.
Articles & Opinion Pieces:
The ideal length for articles and opinion pieces is 400 to 800 words. Articles that contain more than 1,000 words after editing may be published in two parts. Very few two-part articles will be published. Quotations from other people’s work should be brief and properly attributed.
Copyright will be respected.
Poetry A maximum of six Tarot poems will appear in any single issue of the newsletter, or three from any one contributor.
Photos & Other Art:
For the online version of the newsletter, we prefer you send your photos and art in a Jpg file format. Scan them at 300 dpi. Spreads Starting with the Spring 2007 issue, Tarot spreads will not be published in the online newsletter.
Two reasons: To protect the CTN from potential prosecution for copyright violations, and because there are hundreds, if not thousands, of spreads available online and in print publications.
If you have an original spread you wish to share, send a note to the editor with that information, along with your e-mail address, so that other members can contact you directly for it.
Letters to The Editor Letters to the editor are welcome. They may be up to 350 words. Longer letters will be edited for length. Members who wish to comment on or ask a question about anything in the newsletter are invited to do so. Copy Deadlines Fall issue: September 15, 2008 Spring issue: March 15, 2009
How to Contact the CTN:
THE CANADIAN TAROT NETWORK Box 51175 Beddington RPO Calgary, AB T3K 3V9
Telephone: 1-866-478-8808 (toll-free in Alberta, Canada) or outside Alberta telephone 1-403-730-4805 Email: info@tarotcanada.com Hours: 8 a.m. to 5 p.m. MT
TO VERIFY CURRENT TAROT CERTIFICATIONS PLEASE GO TO WEBSITE: www.tarotcanada.com
Next update of certifications will be Summer of 2008
The CTN Executives Kristin Lee-Gray, CTI — 2008 President President@tarotcanada.com
Eileen Croutch, CTGM — Executive Director info@tarotcanada.com
Bella Gagnon, CTGM—Founder, Advisor and Web Master info@tarotcanada.com
Newsletter Editor Editor@tarotcanada.co
